I start with an idea, at first sketching it roughly, trying to see if a composition I have in my head would work on paper, trying to balance all the elements, to decide what light source to choose, etc. Approximately 90% of the time I start with the idea for the drawing in my head, and then work on it from there to add different elements and seek relevant reference.

I do use reference for most of my work, but I never directly copy any photos. To me, that would be incredibly boring. Instead I take a little bit from here and there, combining these elements to fit together and serve my goals for the piece. I let the reference aid me instead of making me its bitch. ;) Below are a couple of reference shots that I used in the process of composing Elegy: the flowers for the ornaments in the girl's hair; a photo of an Asian actress for the face; a Victorian design from an 18th century woodcut for the wall. The hands were also in a tricky position that I had trouble getting right, so I took a reference photo of my own hands holding my son's toy sword (the sword was later changed to something more real-looking).

The paper I work on is #116 Vellum by Borden & Riley. I like it because it's not too thick and has a texture that's not too obvious. It allows for the graphite to layer easily and smudge nicely. For the sketch I use a regular HB pencil, and apply very light pressure so that none of the lines engrave into the paper and can later be erased easily.

As far as work area goes, most times I secure the drawing on a 15x20" drawing board and put the board on my knees. I just find I have more control that way. Occasionally I'll work directly on my drawing table. And by the way, I don't have one of those expensive 100-dollar drawing boards. I made my own cheap version, which has been with me for years and is working out great. I bought a cheap poster frame, the kind you can take apart. I removed everything but the backing, which is made out of pretty sturdy chipboard. I use that as my drawing board, attaching the drawing to the surface with artist tape. When I'm not working I put the sheet of thick plexiglass that came with the frame on top, secure it with binder clips, and stash it away. No mess, no fuss, no major expense.